Emma is house-sitting on the rainy Washington coast with only her golden retriever for company. She likes the isolation, the peace and quiet, and the opportunity to read.

But her latest pick, a poorly written and gruesome horror novel, is disappointing and Emma leaves a one-star review. A message dings back - the author, H.G. Kane, has replied and he's furious. Emma brushes it off, until disturbing incidents start to occur. Scratches in the night. A figure crawling around in the shadows.

Kane has written sixteen other novels, all similarly sadistic tales of stalking and murder. He knows he's a brilliant writer - he just needs to make Emma understand...

Expect the unexpected in this pulse-pounding novel of psychological suspense and terror from the critically acclaimed author of the TikTok sensation No Exit.

After posting a negative review of a horror novel, a woman staying at an isolated beach house begins to wonder if the author is a little touchy--or very, very dangerous--in this pulse-pounding novel of psychological suspense and terror from the critically acclaimed author of No Exit and Hairpin Bridge. Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house's owner, Jules. One day, she reads a poorly written--but gruesome--horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night. To Emma, this can't just be a coincidence. It was strange enough for this author to bicker with her online about a lousy review; could he be stalking her, too? As Emma digs into Kane's life and work, she learns he has published sixteen other novels, all similarly sadistic tales of stalking and murder. But who is he? How did he find her? And what else is he capable of? Displaying his trademark command of rapid-fire pacing, unnerving atmosphere, and razor-sharp characterization, Taylor Adams once again delivers a diabolically disturbing--and deadly--game of cat and mouse.

Using real-life case studies throughout, the book presents a lucid, yet critical, analysis of the manner in which inter-locking changes in business and politics are leading to social-economic changes which will benefit some while excluding others. Develops a model of how networks can be designed, structurally and conceptually, so that the local may flourish connected to the global. Provides a strategic understanding of the forces driving the new economy and proposes concrete ways forward.

If you give this book a one-star review, you might end up dead. Emma is house-sitting on the rainy Washington coast with only her golden retriever for company. She likes the isolation, the peace and quiet, and the opportunity to read. But her latest pick, a poorly written and gruesome horror novel, is disappointing and Emma leaves a one-star review. A message dings back - the author, H.G. Kane, has replied and he's furious. Emma brushes it off, until disturbing incidents start to occur. Scratches in the night. A figure crawling around in the shadows. Kane has written sixteen other novels, all similarly sadistic tales of stalking and murder. He knows he's a brilliant writer - he just needs to make Emma understand... Expect the unexpected in this pulse-pounding novel of psychological suspense and terror from the critically acclaimed author of the TikTok sensation No Exit.

Using real-life case studies throughout, the book presents a lucid, yet critical, analysis of the manner in which inter-locking changes in business and politics are leading to social-economic changes which will benefit some while excluding others. Develops a model of how networks can be designed, structurally and conceptually, so that the local may flourish connected to the global. Provides a strategic understanding of the forces driving the new economy and proposes concrete ways forward.

Globalization and technology are combining to change socio-economic relationships. The pace of change and uncertainty of the world of work - no job for life, zero-hours contracts, diminished pension rights and a growing delivery dependence on digital networks over human contact - are creating a profound unease that may be unprecedented in the Western world. If organizational patterns are not sufficiently adjusted and businesses continue as usual, we run the risk of alienating entire groups within society with many feeling 'left behind'. Using deliberately accessible language for students and the general reader, the authors draw upon socially innovative models of economic organization from the nineteenth century to present a model to master this new economy for the common good. The book illustrates, with practical examples, how digital networks can be leveraged and provides a common checklist to identify suitable conditions for organizations to flourish and provide the means to more effectively evaluate opportunities.

In his imagination, Albert rescues and saves; he fights crime and fierce creatures; and he even flies to space. Albert is a secret Hero!  But sometimes real life gets in the way of play and Albert forgets to use the potty… leading to unheroic accidents.  Follow little Albert through his adventures as he discovers just how useful his potty can be! Aimed at nursery aged children, this beautifully illustrated rhyming story is a gentle introduction to toilet training. Promoting discussion through the fantasy and reality of Albert’s adventures, this book is ideal for those children (and their grownups!) who are fearful or won’t take to the potty, to make it fun and unintimidating. Amazing Albert The Hero! and his Power Potty sidekick could be just what you’re looking for when it’s time for YOUR little Super Hero to start toilet training.

After posting a negative book review, a woman living in a remote location begins to wonder if the author is a little touchy—or very, very dangerous—in this pulse-pounding novel of psychological suspense and terror from the critically acclaimed author of No Exit and Hairpin Bridge. Emma Carpenter lives in isolation with her golden retriever Laika, house-sitting an old beachfront home on the rainy Washington coast. Her only human contact is her enigmatic old neighbor, Deek, and (via text) the house’s owner, Jules. One day, she reads a poorly written—but gruesome—horror novel by the author H. G. Kane, and posts a one-star review that drags her into an online argument with none other than the author himself. Soon after, disturbing incidents start to occur at night. To Emma, this can’t just be a coincidence. It was strange enough for this author to bicker with her online about a lousy review; could he be stalking her, too? As Emma digs into Kane’s life and work, she learns he has published sixteen other novels, all similarly sadistic tales of stalking and murder. But who is he? How did he find her? And what else is he capable of?

This anthology provides a single, convenient volume of diverse primary texts supporting the teaching and research field of Anglophone Transatlantic literatures and print culture. Focusing on ongoing and shared concerns and social practices across the long nineteenth century, the book's thematically-organised sections mark major Transatlantic social movements of that era as expressed, negotiated, and recorded through literary production. The anthology offers a range of tools and texts for innovative thinking, teaching, and exploration. Headnotes provide guidance on how individual selections arose from social and historical contexts. Annotations create student-friendly identification of key terms or allusions

Globalization and technology are combining to change socio-economic relationships. The pace of change and uncertainty of the world of work - no job for life, zero-hours contracts, diminished pension rights and a growing delivery dependence on digital networks over human contact - are creating a profound unease that may be unprecedented in the Western world. If organizational patterns are not sufficiently adjusted and businesses continue as usual, we run the risk of alienating entire groups within society with many feeling 'left behind'. Using deliberately accessible language for students and the general reader, the authors draw upon socially innovative models of economic organization from the nineteenth century to present a model to master this new economy for the common good. The book illustrates, with practical examples, how digital networks can be leveraged and provides a common checklist to identify suitable conditions for organizations to flourish and provide the means to more effectively evaluate opportunities.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.

This anthology provides a single, convenient volume of diverse primary texts supporting the teaching and research field of Anglophone Transatlantic literatures and print culture. Focusing on ongoing and shared concerns and social practices across the long nineteenth century, the book's thematically-organised sections mark major Transatlantic social movements of that era as expressed, negotiated, and recorded through literary production. The anthology offers a range of tools and texts for innovative thinking, teaching, and exploration. Headnotes provide guidance on how individual selections arose from social and historical contexts. Annotations create student-friendly identification of key terms or allusions

"What a box of tricks! This full-throttle thriller, dark and driving, rivals Agatha Christie for sheer ingenuity and James Patterson for flat-out speed. Swift, sharp, and relentless." -- A. J. Finn, #1 New York Times bestselling author of The Woman in the Window A brilliant, edgy thriller about four strangers, a blizzard, a kidnapped child, and a determined young woman desperate to unmask and outwit a vicious psychopath. A kidnapped little girl locked in a stranger's van. No help for miles. What would you do? On her way to Utah to see her dying mother, college student Darby Thorne gets caught in a fierce blizzard in the mountains of Colorado. With the roads impassable, she's forced to wait out the storm at a remote highway rest stop. Inside are some vending machines, a coffee maker, and four complete strangers. Desperate to find a signal to call home, Darby goes back out into the storm . . . and makes a horrifying discovery. In the back of the van parked next to her car, a little girl is locked in an animal crate. Who is the child? Why has she been taken? And how can Darby save her? There is no cell phone reception, no telephone, and no way out. One of her fellow travelers is a kidnapper. But which one? Trapped in an increasingly dangerous situation, with a child's life and her own on the line, Darby must find a way to break the girl out of the van and escape. But who can she trust? With exquisitely controlled pacing, Taylor Adams diabolically ratchets up the tension with every page. Full of terrifying twists and hairpin turns, No Exit will have you on the edge of your seat and leave you breathless.

Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in the 21st century. Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium. Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.